Toyosi Badejo-Okusanya has launched Adaptive Atelier, a consultancy dedicated to helping businesses identify and resolve accessibility barriers in their digital products. According to TechCabal, the firm operates by combining automated software checks with manual testing conducted by disabled professionals who are compensated for their labor. Badejo-Okusanya, who is deaf, established the company after realizing that traditional advisory roles did not allow her to set the terms of accessibility implementation directly.
The concept for Adaptive Atelier was partly inspired by Badejo-Okusanya’s personal experiences with inaccessible media. She recalled attending a screening of the 2023 film Barbie without captions, which left much of the content out of reach. This experience highlighted a disconnect between marketing efforts and actual user experience. As TechCabal notes, "There were no captions at her screening," illustrating how brands can invest heavily in promotion while neglecting basic access features for disabled audiences.
Adaptive Atelier’s methodology addresses the limitations of purely automated accessibility tools. Badejo-Okusanya explained that while software can identify missing elements, it cannot determine if the suggested fixes are meaningful. She cited an example where an automated tool recommended adding the text "Click me" to an empty button. Although this technically passes an accessibility check, it provides no context to a screen reader user about the button’s function. A disabled tester would reject such a superficial fix, ensuring that the digital interface is genuinely usable rather than just compliant on paper.
The company’s revenue model ensures that disabled testers receive the majority of the fees. According to the report, testers keep between 80% and 90% of the project fee, with Adaptive Atelier retaining a commission. This structure aims to provide steady work for disabled professionals while creating a continuous loop of testing and validation. Badejo-Okusanya emphasized that a scan is merely the first pass, not the final solution, and that human validation is required to catch nuances that software misses.
Badejo-Okusanya’s approach is informed by her background in law and marketing, including time spent at Jo Malone London. She noted that while London has stronger legal obligations regarding accessibility, Lagos offers easier access to executive decision-makers. However, she observed that neither location has fully resolved accessibility challenges. Her goal is to shift the conversation from reputation management to genuine product responsibility, ensuring that disabled customers can complete tasks on digital platforms without obstruction.
