Asharq Al-Awsat has published a review of James Gray’s latest film, 'Paper Tiger,' characterizing the movie as a "beautifully punishing tragedy" centered on a middle-class family in Queens. The publication describes the narrative as a shrewd exploration of wealth, worth, and the high price of ambition, noting that the American Dream appears particularly bleak within the film's context. The review emphasizes the film's use of 35 mm film stock to create a gritty, operatic atmosphere that underscores the emotional weight of the story.
Set in 1986 New York, the plot follows Irwin Pearl, played by Miles Teller, an engineer who makes storm windows against his family's wishes. The review notes that Irwin is married to Hester, portrayed by Scarlett Johansson, who dreams of a suburban life for her children. Their teenage sons express dissatisfaction with their modest circumstances, questioning why they must live in a "crappy" environment. This tension is heightened by the arrival of Irwin’s brother, Gary, played by Adam Driver, a former police officer turned security consultant who lives a lavish life. Gary brings a steak dinner from a high-end restaurant, "Luger's," to the family home, showcasing the stark contrast between his wealth and his brother's struggles.
Gary proposes a business opportunity involving the cleanup of the Gowanus Canal, which is being taken over by Russian immigrants. He suggests that Irwin, with his expertise in risk assessment, can help these businesses navigate regulations. Although Irwin suspects something shady, Gary reassures him that they have never "played in the dirt." The review describes this decision as the beginning of a foreboding sequence where the brothers become entangled with paranoid Russian goons. The narrative builds tension methodically, leading to a confrontation that the review calls one of the more thrilling showdowns in recent film history.
The review also highlights Hester’s storyline, describing her as a physical manifestation of the polluted canal as she endures a secret health crisis. Scarlett Johansson’s performance is praised for its beauty and depth, particularly as she bears the weight of her diagnosis in private. Adam Driver’s portrayal of Gary is described as stealing the show, depicting a man doomed by loyalty and loneliness. The review concludes that the film is not just about the past but reflects on the false promises of capitalism and the paradox of honest wealth, suggesting that the system was rigged from the beginning.